George Koblasa, ASC

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George Koblasa.com Photo Gallery

Director of Photography

His passion for photography dates back to his early teens. Born in Prague, Czech Republic, he immigrated to the US after completing his education at the Film School, a division of the famous Charles University in Prague. His interest in photography and love of the movies brought him to Hollywood where he spent over thirty five years working as a Director and Director of Photography. During this time he photographed scores of Television Movies, Feature Films, and Television Commercials. For his work he received numerous national and international awards and nominations. In 1999 he was named by Kodak one of the world’s 100 finest cinematographers.

George is a life time member of The American Society of Cinematographers, a non-profit organization founded 85 years ago, and based in Hollywood, California. It’s members are distinguished cinematographers from all around the world. Membership in this organization is by invitation only, and it is reserved for the Directors of Photography who have shown an exceptional talent in their body of work.

Love of photography has stayed with George throughout his illustrious career. Although his work brought him pretty much to all the corners of the world, he is always glad to return to his beloved USA. For the past five years he has made his home in Park City, Utah where he continues his photographic work. Many of his images are displayed locally. During the ski season, he also teaches skiing at the Park City Mountain Resort.

To view some of his photography still work, please click on the link below. All images are available for sale. They were taken during the past several years and represent just a fragment of his photographic portfolio.

For prices and further information contact George at:

Telephone: 435-940-1878 or 800-988-FOTO (3686)
E-mail:gkasc@onestop.net

Visit the Photo Gallery

Who is a "Director of Photography"?

It is actually me, the guy with the mustache holding a light meter in the pictures above. I am taking an exposure reading while standing next to Oscar winning actor Rod Steiger and seated Peter Falk. Recently, the International Photographer magazine ran a feature article about my work as Director of Photography in Hollywood. To this date, beside many other projects, I have photographed 37 movies made for TV, including an anthology called "COLUMBO". The star of this very popular 2 hour television format is Peter Falk, who portrays a bumbling detective, lieutenant Columbo.

Director of Photography, sometimes called a cameraman, cinematographer or a DP, is an individual who works on the set during film production, and who is fully responsible for the images that we eventually see on the film screen in the movies, or on the television set at home. The cinematographer works very closely with the Film Director. Their relationship and communication before and during production is essential to the success of the final product. It is the cinematographer's job to create the images and interpret the director's vision of the story. In general, his/her job is to tell the story with pictures. His/her artistic talent and technical know-how creates the look of the film, the moods of the scenes, the "texture" of the story.

The Director of Photography also works very closely with the Production Designer, Costume Designer, and the Art Director. All these departments have to have (or should have) the same vision of the script - the story. To help the Director of Photography accomplish his/her mission during the production, he/she has a camera crew that he/she supervises during the production. The camera crew usually consist of a Director of Photography, Camera operator, and two Camera assistants. Having the full responsibility for "The Look" of the picture, the Director of Photography must work very closely with the Electrical and the Grip departments. The head of the electrical crew is called the Chief Lighting Technician or a Gaffer, and the head of the grip department is called the Key Grip. Both of these talented individuals and their crews work under the DP and help him/her create the look of the film. They use scores of different lighting equipment and grip equipment. Another major responsibility of a Director of Photography is to work very closely with the Production and the Producer. It is important for the Director of Photography to know how much money is available to the camera department for the entire production and he/she must remain on Budget. Many excellent books dealing with film productions are available, therefore I will not bother you any further describing how films are made.

Does a Director of Photography Have a Certain Style?

Style is very difficult to describe or to define.    It just shows and it presents itself on the screen.  Any "good" Director of Photography should have the ability to utilize his/her talent and experience and apply it properly for given project - therefore he/she must be flexible in using his/her "style".    He/she must be able to interpret the director's vision of the film and create the "look" that will tell the story the best.   The photography of any movie should not call attention to itself.

What is the Background on this Page?

The letters ASC on this page and behind my name are the initials of the American Society of Cinematographers,     a non-profit organization founded 80 years ago and based in Hollywood, California.  It's members are distinguished Directors of Photography from all around the world.  Membership in this organization is by invitation only, and it is reserved to the Directors of Photography who have shown an exceptional talent in their body of work.

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Contact Information

Mailing Address:
Post Office Box 980937, Park City, Utah 84098 - United States of America

Electronic Mail Address
:
gkasc@onestop.net

Office Phone:
435 940 1878

 

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Copyright © 1998-2006 George Koblasa, ASC.
Telephone: 435-940-1878 or 800-988-FOTO (3686) | E-mail: gkasc@onestop.net